He started doing these pieces at the beginning of last decade, which in itself is extraordinary.

And you can tell how they’ve been produced, some are a little garish but this is true to the form. They have immediacy. There are a lot of them. I liked the one above in particular. The ongoing green, with the central waterfall (which I’ve only just noticed), is broken asymmetrically by the yellow and red cars. The transient figures blend into the green, as does the car and the truck on the right. This one is softer.
The paint lines are interesting, because they are scribbles. Or single lines. And they give up the form the most. Which can have appeal.
I have one as the background on my phone, and another as the background on my iPad.

